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Exposing Imperial Japan

Exposing Imperial Japan

Viewing the suffering of colonized people through the lens of the colonizer's propaganda

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Colonial officials claimed ‘Korean must naturally stop...
Propaganda ‘feel good story’ praises Korean grandfather...
Part 1 – Thousands of young Korean...
Koreans faced up to 10 years in...
Part 2 – Thousands of young Korean...
A look into the foreign films showing...
In June 1944, the Japanese military gave...
1943 editorial calls for Korean language to...
In February 1943, a massive network of...
In 1942, one pro-Imperial Japan Korean family...
‘Jeon’ became ‘Takamatsu’ and ‘Park’ became ‘Masaki’:...
In 1942, Matsumoto Chitei reportedly became the...
Hollywood movies and Western cosmetic brands were...
Japanese news staff wrote sad and internally...
April 1945 Seoul dining: the public endured...

Category: Entertainment

Inside the 1943 Seoul Crackdown on ‘Demonic Music’: Imperial Japan’s Campaign to Purge American and British Records, From Hawaiian Jazz to Dvořák, but German music (Beethoven, Mozart, Bach) and Italian music (Verdi) were allowed
Entertainment

Inside the 1943 Seoul Crackdown on ‘Demonic Music’: Imperial Japan’s Campaign to Purge American and British Records, From Hawaiian Jazz to Dvořák, but German music (Beethoven, Mozart, Bach) and Italian music (Verdi) were allowed

2025-11-20

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This article from 1943 offers a rare glimpse into one aspect of the severe censorship regime that Imperial Japan imposed

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Food

April 1945 Seoul dining: the public endured price-gouging and scraps, while privileged Japanese and Korean collaborator elites drank and feasted behind closed doors

2025-09-06

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As Imperial Japan’s war effort was collapsing in spring 1945, life in colonial Seoul grew increasingly desperate. Ordinary Koreans were

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Business

Imperial Japanese and Korean collaborator elite partied in brothels and luxury restaurants while ordinary Koreans starved in wartime Seoul, early 1945

2025-07-08

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Below is a translation of an Imperial Japanese news article from the Keijō Nippo (京城日報), dated March 5, 1945, reporting

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Entertainment

The film that tried to make Koreans see Imperial Japan as their “Omoni” (Mother): Inside the 1945 propaganda movie “Love and Vows” (愛と誓ひ, 사랑과맹세)

2025-06-24

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This is my review and analysis of a deeply unsettling Imperial Japanese propaganda film, Love and Vows (愛と誓ひ), which was

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Entertainment

Imperial Japan shamed Koreans for going to theaters instead of preparing for invasion (March 1945)

2025-05-07

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As Imperial Japan’s war effort crumbled in early 1945, its propaganda turned increasingly desperate and moralistic. This article, published in

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Entertainment

A look into the foreign films showing in Seoul movie theaters in June to Dec. 1943: Ohm Krüger (1941) was heavily promoted to foment anti-British sentiment

2023-12-20

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This post will be a continuation of my exploration into the kinds of foreign movies that Seoul residents might have

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Entertainment

August 28, 1945: Colonial regime announces a peaceful transition of power to the new incoming Korean government, reopens comfort women services, department stores, cafés in Seoul as popular uprising subsides, plans orderly repatriation of Japanese residents

2023-12-06

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This is another fascinating historical article that I stumbled upon during my visit to the National Library of Korea a

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Entertainment

“The New Age Has Arrived”: Imperial Japanese Propaganda Manga from Occupied China, 1942

2023-07-04

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Just sharing a fascinating piece of historical artifact – a comic strip, or more accurately, a manga, published in the

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Entertainment

A look into the foreign films showing in Korean movie theaters in April/May 1943: L’antenato (1936), Capriccio (1938), Ein Lied für dich (1933), Fahrendes Volk (1938), Le Bal (1931), Heimat (1938), Un soir de rafle (1931)

2023-05-19

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This post will be a continuation of my exploration into the kinds of foreign movies that Seoul residents might have

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Entertainment

Korean director of Straits of Chosun (1943) muted the war propaganda of this Imperial Japanese film to make it a humanistic story about young Korean man from wealthy family who enlists with a heavy heart to win his father’s acceptance of his lower-class wife, rather than from blind patriotism

2023-04-24

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The following is my thorough transcription, translation, and in-depth analysis/review of an intriguing piece of classic Korean cinematography, which is

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Recent Posts

  • Nazi German community in Seoul December 1941 celebrating Imperial Japan’s declaration of war
  • Wartime rations often vanished amid corrupt neighborhood leadership, leading to so much public anger that Imperial officials pleaded, ‘let us avoid becoming emotional with one another’ (Feb. 1945)
  • Inside the 1943 Seoul Crackdown on ‘Demonic Music’: Imperial Japan’s Campaign to Purge American and British Records, From Hawaiian Jazz to Dvořák, but German music (Beethoven, Mozart, Bach) and Italian music (Verdi) were allowed
  • How Imperial Japan spun a dead Korean industrial accident victim into a wartime hero: ‘Follow in the spirit of Mr. Lim!’, ‘The flower of the workplace!’ at Tōyō Metal in Sinuiju (October 1, 1943)
  • Rule by Fear: How Imperial Japan Expanded the Death Penalty and Toughened Sentences in Wartime Korea – Crackdowns on Protesters After Just One Warning (February 1944)

Recent Comments

  • vong quay on Imperial officials fanned out across rural Korea visiting townships one by one to indoctrinate villagers in Imperialist ideology in ‘Grassroots Penetration’ Campaign (March 1944)
  • act-two on Koiso’s 1943 ‘Great Leader’ Strongman Tours: Surprise village inspections to intimidate local leaders and impose Japanese language and culture all over the Korean countryside
  • laser marking machine on Koiso’s 1943 ‘Great Leader’ Strongman Tours: Surprise village inspections to intimidate local leaders and impose Japanese language and culture all over the Korean countryside
  • zorse on April 1945 Seoul dining: the public endured price-gouging and scraps, while privileged Japanese and Korean collaborator elites drank and feasted behind closed doors

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  • Imperial Japanese penal official said Korean 'ideological criminals' (independence activists) were 'not well made as human beings', but 'if only their thoughts could be corrected, then they will get better' so they can be 'used' for wartime labor, but 'this is not the case with ordinary criminals'
  • Nostalgia for Imperial Japan and its undercurrents in Kishi Nobusuke's legacy in postwar Japan, in Park Chung-hee and Chun Doo-hwan's legacy in South Korea, and why access to wartime newspapers of Japan-occupied Korea is important to combat historical misinformation by the far-right in both countries
  • Simon Young Kim (김영근), a South Korean violin virtuoso and disciple of famous violinist Jascha Heifetz, Simon was once my teacher and mentor, and his son was my best friend in elementary school
Exposing Imperial Japan
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